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Moneyball: The Art of Winning an Unfair Game

*Est. $2.66 Compare

"One of the best baseball—and management—books out....Deserves a place in the Baseball Hall of Fame."—Forbes Moneyball is a quest for the secret of success in baseball. Following the low-budget Oakland Athletics, their larger-than-life general manger, Billy Beane, and the strange brotherhood of amateur baseball enthusiasts, Michael Lewis has written not only "the single most influential baseball book ever" (Rob Neyer, Slate) but also what "may be the best book ever written on business" (Weekly Standard). I wrote this book because I fell in love with a story. The story concerned a small group of undervalued professional baseball players and executives, many of whom had been rejected as unfit for the big leagues, who had turned themselves into one of the most successful franchises in Major League Baseball. But the idea for the book came well before I had good reason to write it—before I had a story to fall in love with. It began, really, with an innocent question: how did one of the poorest teams in baseball, the Oakland Athletics, win so many games? With these words Michael Lewis launches us into the funniest, smartest, and most contrarian book since, well, since Liar's Poker. Moneyball is a quest for something as elusive as the Holy Grail, something that money apparently can't buy: the secret of success in baseball. The logical places to look would be the front offices of major league teams, and the dugouts, perhaps even in the minds of the players themselves. Lewis mines all these possibilities—his intimate and original portraits of big league ballplayers are alone worth the price of admission—but the real jackpot is a cache of numbers—numbers!—collected over the years by a strange brotherhood of amateur baseball enthusiasts: software engineers, statisticians, Wall Street analysts, lawyers and physics professors. What these geek numbers show—no, prove—is that the traditional yardsticks of success for players and teams are fatally flawed. Even the box score misleads us by ignoring the crucial importance of the humble base-on-balls. This information has been around for years, and nobody inside Major League Baseball paid it any mind. And then came Billy Beane, General Manager of the Oakland Athletics. Billy paid attention to those numbers —with the second lowest payroll in baseball at his disposal he had to—and this book records his astonishing experiment in finding and fielding a team that nobody else wanted. Moneyball is a roller coaster ride: before the 2002 season opens, Oakland must relinquish its three most prominent (and expensive) players, is written off by just about everyone, and then comes roaring back to challenge the American League record for consecutive wins. In a narrative full of fabulous characters and brilliant excursions into the unexpected, Michael Lewis shows us how and why the new baseball knowledge works. He also sets up a sly and hilarious morality tale: Big Money, like Goliath, is always supposed to win...how can we not cheer for David?Billy Beane, general manager of MLB's Oakland A's and protagonist of Michael Lewis's Moneyball, had a problem: how to win in the Major Leagues with a budget that's smaller than that of nearly every other team. Conventional wisdom long held that big name, highly athletic hitters and young pitchers with rocket arms were the ticket to success. But Beane and his staff, buoyed by massive amounts of carefully interpreted statistical data, believed that wins could be had by more affordable methods such as hitters with high on-base percentage and pitchers who get lots of ground outs. Given this information and a tight budget, Beane defied tradition and his own scouting department to build winning teams of young affordable players and inexpensive castoff veterans. Lewis was in the room with the A's top management as they spent the summer of 2002 adding and subtracting players and he provides outstanding play-by-play. In the June player draft, Beane acquired nearly every prospect he coveted (few of whom were coveted by other teams) and at the July trading deadline he engaged in a tense battle of nerves to acquire a lefty reliever. Besides being one of the most insider accounts ever written about baseball, Moneyball is populated with fascinating characters. We meet Jeremy Brown, an overweight college catcher who most teams project to be a 15th round draft pick (Beane takes him in the first). Sidearm pitcher Chad Bradford is plucked from the White Sox triple-A club to be a key set-up man and catcher Scott Hatteberg is rebuilt as a first baseman. But the most interesting character is Beane himself. A speedy athletic can't-miss prospect who somehow missed, Beane reinvents himself as a front-office guru, relying on players completely unlike, say, Billy Beane. Lewis, one of the top nonfiction writers of his era (Liar's Poker, The New New Thing), offers highly accessible explanations of baseball stats and his roadmap of Beane's economic approach makes Moneyball an appealing reading experience for business people and sports fans alike. --John Moe

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The Game from Where I Stand: A Ballplayer's Inside View

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An insider's revealing look at the hidden world of major league baseball

Doug Glanville, a former major league outfielder and Ivy League graduate, draws on his nine seasons in the big leagues to reveal the human side of the game and of the men who play it.

In The Game from Where I Stand, Glanville shows us how players prepare for games, deal with race and family issues, cope with streaks and slumps, respond to trades and injuries, and learn the joyful and painful lessons the game imparts. We see the flashpoints that cause misunderstandings and friction between players, and the imaginative ways they work to find common ground. And Glanville tells us with insight and humor what he learned from Jimmy Rollins, Alex Rodriguez, Randy Johnson, Barry Bonds, Curt Schilling, and other legendary and controversial stars.

In his professional career, Glanville experienced every aspect of being a player-the first-round pick, the prospect, the disappointment, the can't-miss, the cornerstone, the veteran, the traded, the injured, the comeback kid. His eye-opening book gives fans a new level of understanding of day-to-day life in the big leagues. 

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Steinbrenner: The Last Lion of Baseball

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No owner has changed the landscape of sports more than New York Yankees owner George Steinbrenner. From the moment he bought the team in 1973 for $10 million, Steinbrenner's monomaniacal pursuit was to restore the most fabled franchise in baseball history to its former glory. Today the New York Yankees are worth more than $1 billion and are once again world champions.

Award-winning sportswriter Bill Madden traces Steinbrenner from his early days in Cleveland through his years as a shipping magnate, a Nixon fund-raiser, and a champion horse breeder to the fateful moment when he bought the Yankees, even though his father disparaged George's desire to own a professional sports team as a "hobby." Over the next four decades, Steinbrenner's tumultuous reign included his epic battles with Billy Martin, Reggie Jackson, Dave Winfield, even beloved Yankee captain Derek Jeter. His ruthless and free-spending tactics made him a lightning rod for controversy but they also paid off: Steinbrenner's Yankees have won seven championships and remain the gold standard in all sports. In the last few years, with his health declining, the Boss ceded control of the team to his sons, but not before lording over the team's historic transition from the House That Ruth Built to the House That George Built.

Throughout his three decades of covering the Yankees, Bill Madden has cultivated hundreds of sources at every level in the organization, from the many managers and front-office personnel Steinbrenner has fired to the bat boys who are ever present in the locker room. All of them have colorful stories about the man with whom they have enjoyed a love-hate relationship, but it is the Boss himself whose voice rises above the rest. And when Steinbrenner decided to give his final print interview, he spoke to Madden to set the record straight on his extraordinary life and career.

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The Baseball Codes: Beanballs, Sign Stealing, and Bench-Clearing Brawls: The Unwritten Rules of America's Pastime

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Everyone knows that baseball is a game of intricate regulations, but it turns out to be even more complicated than we realize. What truly governs the Major League game is a set of unwritten rules, some of which are openly discussed (don't steal a base with a big lead late in the game), and some of which only a minority of players are even aware of (don't cross between the catcher and the pitcher on the way to the batter's box). In The Baseball Codes, old-timers and all-time greats share their insights into the game's most hallowed-and least known-traditions. For the learned and the casual baseball fan alike, the result is illuminating and thoroughly entertaining.
 
At the heart of this book are incredible and often hilarious stories involving national heroes (like Mickey Mantle and Willie Mays) and notorious headhunters (like Bob Gibson and Don Drysdale) in a century-long series of confrontations over respect, honor, and the soul of the game. With The Baseball Codes, we see for the first time the game as it's actually played, through the eyes of the players on the field.
 
With rollicking stories from the past and new perspectives on baseball's informal rulebook, The Baseball Codes is a must for every fan.

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The Bullpen Gospels: Major League Dreams of a Minor League Veteran

*Est. $10.00 Compare

"After many minutes, hours, days, weeks, months and years spent in the bullpen, I can verify that this is a true picture of baseball."--Tim McCarver  
 
"There are great truths within, of the kind usually unspoken. And as he expresses them, Dirk Hayhurst describes himself as 'a real person who moonlights as a baseball player.' In much the same manner, while The Bullpen Gospels chronicles how all of us face the impact when we learn reality is both far meaner and far richer than our dreams--it also moonlights as one of the best baseball books ever written."--Keith Olbermann  
 
"A bit of Jim Bouton, a bit of Jim Brosnan, a bit of Pat Jordan, a bit of crash Davis, and a whole lot of Dirk Hayhurst. Often hilarious, sometimes poignant. This is a really enjoyable baseball read."--Bob Costas  
 
"Fascinating. . .a perspective that fans rarely see."--Trevor Hoffman, pitcher for the Milwaukee Brewers  
 
"The Bullpen Gospels is a rollicking good bus ride of a book. Hayhurst illuminates a baseball life not only with wit and humor, but also with thought-provoking introspection."--Tom Verducci, Sports Illustrated 
 
"Dirk Hayhurst has written a fascinating, funny and honest account on life in the minor leagues. I loved it. Writers can't play baseball, but in this case, a player sure can write."--Tim Kurkjian, Senior Writer, ESPN The Magazine, analyst/reporter ESPN television 
 
"Bull Durham meets Ball Four in Dirk Hayhurst's hilarious and moving account of life in baseball's glamour-free bush leagues."--Rob Neyer, ESPN.com
 
"If Holden Caulfield could dial up his fastball to 90 mph, he might have written this funny, touching memoir about a ballplayer at a career--and life--crossroads. He might have called it 'Pitcher in the Rye.' Instead, he left it to Dirk Hayhurst, the only writer in the business who can make you laugh, make you cry and strike out Ryan Howard."--King Kaufman, Salon 
 
"The Bullpen Gospels is a funny bone-tickling, tear duct-stimulating, feel-good story that will leave die-hard baseball fans--and die-hard human beings, for that matter--well, feeling good."--Bob Mitchell, author of Once Upon a Fastball
(edited by author)

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Big Hair and Plastic Grass: A Funky Ride Through Baseball and America in the Swinging '70s

*Est. $15.88 Compare

The Bronx Is Burning meets Chuck Klosterman in this wild pop-culture history of baseball's most colorful and controversial decade

The Major Leagues witnessed more dramatic stories and changes in the ‘70s than in any other era. The American popular culture and counterculture collided head-on with the national pastime, rocking the once-conservative sport to its very foundations. Outspoken players embraced free agency, openly advocated drug use, and even swapped wives. Controversial owners such as Charlie Finley, Bill Veeck, and Ted Turner introduced Astroturf, prime-time World Series, garish polyester uniforms, and outlandish promotions such as Disco Demolition Night. Hank Aaron and Lou Brock set new heights in power and speed while Reggie Jackson and Carlton Fisk emerged as October heroes and All-Star characters like Mark “The Bird" Fidrych became pop icons. For the millions of fans who grew up during this time, and especially those who cared just as much about Oscar Gamble's afro as they did about his average, this book serves up a delicious, Technicolor trip down memory lane.
 
A Q&A with Dan Epstein courtesy of Scratchbomb.com, May 2010
 
As a kid, I was fascinated by 1970s baseball. The huge afros, the amazing facial hair, the retina-burning uniform designs--it seemed like such an insane, colorful era, particularly when compared to the heavily moussed 80s, where I spent most of my kid-dom. (Of course, there were some colorful characters then, too, but that's a tale for another time.)

Whenever I had some disposable income (which was not often), I would spend it at a baseball card convention or store, usually on a large plastic box filled with completely worthless cards from 1977 or 1975, just so I could savor such sartorial majesties as Willie McCovey's sideburns. My elementary school library had these slim books on each major league team, all published in the mid-'70s, which I borrowed repeatedly. And whenever my grampa took me to Cooperstown, I'd seek out the unbelievable mini-exhibit on the technicolor uniforms from those years (sadly, no longer there).

While there are some chronicles of players and teams from the 1970s (The Machine and Ladies and Gentlemen, The Bronx Is Burning are great, recent examples), there haven't been many (if any) retrospectives about the decade in total. When people speak of a Golden Age of Baseball, they usually save such mythologizing for the 1950s and its stainless, sepia-tone heroes.

But now there is finally an evangelist for game as played in the Me Decade. Journalist Dan Epstein has penned a love letter to 1970s baseball entitled Big Hair and Plastic Grass: A Funky Ride through Baseball and America in the Swinging 70s. ESPN's Rob Neyer has said of this tome, "What the 1960s were to America, the 1970s were to baseball, and Dan Epstein has finally given us the swinging book the '70s deserve." The book drops May 25 from Thomas Dunne Books, and there will be a big ol' release party at the Bell House in Brooklyn on May 26 (I for one am excited to try the Oscar Gamble hot dog that will be served there).

Dan was generous enough to take some time out of his busy schedule and answer some questions via email about Astroturf, day-glo erseys, the best Topps card designs, and the worst promotions of all time. Read all about it after the jump.
 
What compelled you to write this book?

About ten years ago, I went in search of a good book on '70s baseball; I was born in 1966, so this was the era when I first fell in love with the sport, and I wanted to relive some of those memories, and maybe gain a greater understanding of the period. At the time, the only thing out there that came even close to what I was looking for was Phil Pepe's Talkin' Baseball: An Oral History of Baseball in the 1970s; but while that's a highly enjoyable read (and one I would recommend to anyone interested in the era) I didn't feel like it showed as much appreciation for the funkiness and uniqueness of the era as much as I would have liked--nor have any other of the decade-spanning '70s baseball books that have been published since then. I don't come from a sportswriting background--music and pop culture has been my beat for the past two decades--but I felt that, as a baseball fan, a student of pop culture, and a child of the '70s, I could write a love letter to '70s baseball that also truly celebrated the weirdness of the period.

I have a theory that some of the excesses of 1970s baseball--huge afros, crazy facial hair, drugs, wacky uniform designs, etc.--were the product of the sport desperately trying to catch up after being so resolutely square for so long. Your thoughts?

I would have to vehemently disagree--who exactly in the baseball establishment was desperately trying to be hip? Commissioner Bowie Kuhn was as square as they came, and would have been happiest if baseball had resembled a perpetual Norman Rockwell painting; most of the team owners and executives (with the notable exceptions of Bill Veeck and Ted Turner) weren't much hipper. I think the "excesses" you mention were more the result of the freak flag-flying spirit of the late '60s finally worming its way into all elements of mainstream America, baseball included. Think of the JC Penney fashion catalogs from the '70s with all the wacky leisure suits and patterned shirts with giant collars--white, middle-class Americans actually wore that shit without batting an eye, but they wouldn't have even dared to do so ten years earlier. You also had players coming up to the majors who had been college students in the late '60s and early '70s, and thus felt more comfortable engaging the sort of self-expression (ranging from facial hair to outspoken sharing of political beliefs) and drug use that would have been unthinkable in the majors just a decade earlier. And while I do think many of the baseball uniforms of the era were reflective of the more flamboyant trends in '70s male fashion, they were chiefly designed to look impressive on color TV--a device which most American households didn't own until the 1970s.

Arguably, the two greatest teams of the 1970s were a study in contrasts: the '72-'74 Oakland A's--a hirsute, hard living, pugnacious bunch--and The Big Red Machine--a mostly strait-laced group that was forbidden to grow long hair or beards. If you had to pick one (not necessarily for purely baseball reasons), which team do you prefer and why?

Just from a purely aesthetic standpoint, I'm always gonna side with a team of hairy, ornery dudes in gold jerseys and white shoes. But while the Big Red Machine was obviously a force to be reckoned with, the '72-'74 A's were the most well-rounded team of the era. Like the Reds, they had speed and power, but they also had much stronger pitching (Catfish Hunter, Vida Blue, Kenny Holtzman, Rollie Fingers, et al.). And not only did the A's win three straight World Series, but they also won five straight AL West crowns ('71 through '75) and came very close to winning a sixth in '76. Sorry, Joe Morgan--the A's were the one true dynasty of the '70s.

Let's say I'm a younger baseball fan unfamiliar with the game in the 1970s. What is the one event/team/player who would clue me in to the awesomeness of this era?

God, there are so many to choose from, and for so many different reasons. But I guess Bill Lee or Dock Ellis would be the most obvious choices. Both men were way more outspoken, irreverent, hip and intelligent than your stereotypical major leaguers, both had great taste in music, and they both engaged in some pretty epic battles with the conservative baseball establishment. And, of course, Lee advocated pot use and Ellis pitched a no-hitter on LSD--but they were also incredible competitors who loved the game, and never let their teammates down on the field. If we're going to pick a single event, I'd have to go with the Atlanta Braves' Wet T-Shirt Night in 1977; they just don't do baseball promotions like that anymore!

Looking back on it now, which player most exemplifies the 1970s?

See above.
Who were your favorite team and player as a kid? Least favorite?

In the '70s, I split a lot of time between Los Angeles and Ann Arbor, Michigan, so my two favorite teams were the Dodgers and the Tigers. My favorite Dodger was Ron Cey. I loved that he was known as "The Penguin," and that this oddly-proportioned guy with the funny walk could actually be an All-Star third baseman. I wore #10 on my Little League jersey in his honor. For the Tigers, I loved Willie Horton, Mark Fidrych, Ron LeFlore, etc., but my true favorite was Lou Whitaker. When Sweet Lou came up from the minors, I told all my friends he was going to be a star; and unlike my other grade school baseball predictions (like my brief championing of the Blue Jays' Doug Ault as a sure bet for superstardom), it actually panned out!

Least favorite tea...

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Charlie Finley: The Outrageous Story of Baseball's Super Showman

*Est. $16.50 Compare

Before the "Bronx Zoo" of George Steinbrenner and Billy Martin, there were the Oakland Athletics of the early 1970s, one of the most successful, most colorful-and most chaotic-baseball teams of all time. They were all of those things because of Charlie Finley. Not only the A's owner, he was also the general manager, personally assembling his team, deciding his players' salaries, and making player moves during the season-a level of involvement no other owner, not even Steinbrenner, engaged in.
Drawing on interviews with dozens of Finley's players, family members, and colleagues, G. Michael Green and Roger D. Launius present "Baseball's Super Showman" (Time magazine's description of Finley on the cover of an August 1975 issue) in all his contradictions: generous yet vengeful, inventive yet destructive. The stories surrounding him are as colorful as the life he led, the chronicle of which fills an important gap in baseball's literature.

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Watching Baseball Smarter: A Professional Fan's Guide for Beginners, Semi-experts, and Deeply Serious Geeks

*Est. $6.07 Compare

Whether you're a major league couch potato, life-long season ticket-holder, or teaching game to a beginner, Watching Baseball Smarter leaves no territory uncovered. In this smart and funny fan's guide Hample explains the ins and outs of pitching, hitting, running, and fielding, while offering insider trivia and anecdotes that will surprise even the most informed viewers of our national pastime.

What is the difference between a slider and a curveball?
At which stadium did "The Wave" first make an appearance?
How do some hitters use iPods to improve their skills?
Which positions are neverplayed by lefties?
Why do some players urinate on their hands?

Combining the narrative voice and attitude of Michael Lewis with the compulsive brilliance of Schott's Miscellany, Watching Baseball Smarter will increase your understanding and enjoyment of the sport-no matter what your level of expertise.

Zack Hample is an obsessed fan and a regular writer for minorleaguebaseball.com. He's collected nearly 3,000 baseballs from major league games and has appeared on dozens of TV and radio shows. His first book, How to Snag Major League Baseballs, was published in 1999.

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Science of Hitting

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Ted Williams is our greatest living expert on how to hit a baseball -- the last baseball player to hit .400 in the major leagues. Williams's career hitting statistics will stand forever as a monument to his complete mastery of the single most difficult thing to do in sport: .344 lifetime batting average, 521 home runs, 1839 RBI and 2654 hits. The Science of Hitting has reigned as the classic handbook on hitting since being published in 1971 -- and now it's even better! Ted's hitting advice has been updated, and exciting new color graphics and photos have been added to enhance your reading pleasure. The Gallery of Great Hitters has been expanded to include Ted's choices for the best hitters of the '70s and '80s: look inside to see who made the cut! You'll still find all of Ted's great advice on how to improve your turn at bat and become the best hitter possible. Learn: * How to think like a pitcher and guess the pitch * The three cardinal rules for developing a smooth line-drive swing * The secrets of hip and wrist action * Pitch selection * Bunting * Hitting the opposite way And much more! Whether you play the game or simply enjoy reading about it, you'll find The Science of Hitting an unforgettable addition to your sports library.

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The Last Hero: A Life of Henry Aaron

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In the thirty-four years since his retirement, Henry Aaron's reputation has only grown in magnitude: he broke existing records (rbis, total bases, extra-base hits) and set new ones (hitting at least thirty home runs per season fifteen times, becoming the first player in history to hammer five hundred home runs and three thousand hits). But his influence extends beyond statistics, and at long last here is the first definitive biography of one of baseball's immortal figures.
 
Based on meticulous research and interviews with former teammates, family, two former presidents, and Aaron himself, The Last Hero chronicles Aaron's childhood in segregated Alabama, his brief stardom in the Negro Leagues, his complicated relationship with celebrity, and his historic rivalry with Willie Mays-all culminating in the defining event of his life: his shattering of Babe Ruth's all-time home-run record.
 
Bryant also examines Aaron's more complex second act: his quest to become an important voice beyond the ball field when his playing days had ended, his rediscovery by a public disillusioned with today's tainted heroes, and his disappointment that his career home-run record was finally broken by Barry Bonds during the steroid era, baseball's greatest scandal.
 
Bryant reveals how Aaron navigated the upheavals of his time-fighting against racism while at the same time benefiting from racial progress-and how he achieved his goal of continuing Jackie Robinson's mission to obtain full equality for African-Americans, both in baseball and society, while he lived uncomfortably in the public spotlight. Eloquently written, detailed and penetrating, this is a revelatory portrait of a complicated, private man who through sports became an enduring American icon.



Questions for Howard Bryant on The Last Hero

Q: Why Henry Aaron?
A: After my second book, Juicing the Game, the natural progression for my thought process was heading toward one question: "Who in baseball do you admire? Is there anyone this sport can be proud of?" It wasn't simply the fatigue of writing about steroids and tainted heroes that drifted me toward Henry Aaron, but because the steroids scandal occurring during the same time as the housing-and-mortgage scandal told me something larger was taking place in this country, that the value systems we ostensibly seek--honor, integrity, accountability--were becoming almost quaint. In baseball, as the drug scandal intensified, players would tell me, "If you ain't cheating, you ain't trying." It was that level of cynicism that made me consider writing about someone who certainly was not perfect but had a larger mission for himself beyond money, that here was a person for whom those values are not quaint.

Q: Did he cooperate?
A: It took roughly eighteen months for him to agree to speak with me. I first began working on this project in May 2006 and that was in the middle of when Barry Bonds was nearing Henry's record. Henry Aaron wanted nothing to do with the Bonds record chase. He didn't want to be asked questions about Bonds, did not want to be placed in the debate about anabolic steroids. He did not want to engage at all.

When Henry's attorney, Allan Tanenbaum, and I spoke for the first time, he was extremely pessimistic about the book and the public's reaction to Henry Aaron. He was convinced that the public did not care about him except in being positioned as the polar opposite of Bonds. He was certain that I was only interested in one thing: Bonds. Over many phone calls spanning several months (the key conversation taking place over Thanksgiving 2007), Allan finally accepted that my motives for writing the book had nothing to do with Bonds and everything to do with a man I considered to be an American icon.

A few months later, on January 31 (ironically on Jackie Robinson's birthday), Henry Aaron and I had our first phone call. He was extremely pleasant and engaging but echoed Allan's sentiments about his own life. "People don't care about me," he told me. "They only care about what I did as a baseball player. There's more to me than that." I was amazed at the considerable divide that existed between the enthusiasm I received whenever I mentioned the possibility of writing about Henry and what he considered to be the public's perception of him.

Q: What most surprised you during the writing/research?
A: There were many surprising aspects of the research, which is why I truly love to research and write books. Whatever your initial thoughts of your subject are, they will invariably be altered the deeper you learn.

I was as guilty as anyone in following the accepted Aaron myth: played in Milwaukee, was always overshadowed by players in bigger markets, snuck up on even the shrewdest evaluators of talent from the day he entered the big leagues to the day when suddenly he and not Willie Mays was in the best position to break Babe Ruth's all-time home run record.

None of this is true, and that was the most surprising thing. Henry Aaron was a phenom, a top prospect from the day he joined the Indianapolis Clowns. He was a comet tearing through each level in the minor leagues, and when he arrived for his first spring in Bradenton, Florida in 1954, all eyes were on him to be the next great player.

The myth came later. As the Milwaukee Braves fell in the standings at the beginning of the 1960s, people did begin to forget about Henry, and he quietly accumulated Hall of Fame numbers. But that was only because the public lost interest in a losing team, not because it was unaware of his enormous ability.

Q: What is the lasting legacy of Henry Aaron?
A: A famous sociologist told me during an interview that the steroid scandal has created a gap between the record holders and the standard bearers of major league baseball. Barry Bonds is a record holder. Henry Aaron is a standard bearer. The latter is far more important and valuable than the former.

And it carries weight beyond the baseball diamond, where Henry always wanted respect. He spent his life being compared on the baseball diamond to Willie Mays, but Henry Aaron wanted to follow in the legacy of Jackie Robinson, to use his platform to provide opportunities for people who did not have them. Baseball was simply a means to that end.

(Photo © Erinn Hartman)


Photographs from The Last Hero: A Life of Henry Aaron
(Click on Thumbnails to Enlarge)

Clemente, Mays, and Aaron

Jacksonville, 1953Bradenton, 1957Aaron and Family

Aaron in AtlantaBreaking Babe's RecordAaron Today



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