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This inspiring guide provides artists with the knowledge they need to paint watercolor landscapes. It features easy-to-follow exercises illustrated in an accessible format that invites readers to jump in and begin painting right away. Artists of all skill levels will learn from:

-30 step-by-step demonstrations

-Chapters that focus on basic landscape elements, such as land, water and sky

-Special mini demos for capturing important details, including trees, mountains, waves, clouds, sunsets and more.

Most importantly, this guide's instruction teaches artists the foundations of strong composition and encourages them to pursue their own individual style to create landscapes that are compelling and unique.

The collected works of Britain's most wanted artist.

Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable (except maybe when it's squatting in the New York's Metropolitan Museum or Museum of Modern Art.) Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world.

Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills and umbrellas. If you look hard enough you'll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and witty comments on everything from the monarchy and capitalism to the war in Iraq and farm animals.

His identity remains unknown, but his work is prolific. And now for the first time, he's putting together the best of his work-old and new-in a fully illustrated color volume.

Banksy, real name unknown, was born in Bristol, England.

Vitamin P is an image-heavy book offering an overview of the state of painting today, and documents the most recent concerns and ideas among contemporary painters. In the wake of new media such as installation, video, performance and digital art, the traditional medium of painting has enjoyed a renaissance among a recent generation of artists. Alongside the evergrowing reputation of significant living painters such as Gerhard Richter, Agnes Martin and Peter Halley, many younger artists have chosen painting over any other medium, and are exploring new means to broaden the traditional field of "oil on canvas". It is this younger generation (who emerged in the 1990s) that Vitamin P aims to represent in an A-Z survey of 114 of its leading, new, international practitioners, with each artist illustrated by numerous examples of his or her works, accompanied by a short explanatory text. Often moving beyond the most traditional image associated with this medium, Vitamin P hopes to illustrate the richness, eclecticism, dynamism and contemporaneity of the practice of painting today. Barry Schwabsky's introductory text offers a critical survey of the evolution of painting since the late 1950's

Paul Revere's midnight ride looms as an almost mythical event in American history--yet it has been largely ignored by scholars and left to patriotic writers and debunkers. Now one of the foremost American historians offers the first serious look at the events of the night of April 18, 1775--what led up to it, what really happened, and what followed--uncovering a truth far more remarkable than the myths of tradition.

In Paul Revere's Ride, David Hackett Fischer fashions an exciting narrative that offers deep insight into the outbreak of revolution and the emergence of the American republic. Beginning in the years before the eruption of war, Fischer illuminates the figure of Paul Revere, a man far more complex than the simple artisan and messenger of tradition. Revere ranged widely through the complex world of Boston's revolutionary movement--from organizing local mechanics to mingling with the likes of John Hancock and Samuel Adams. When the fateful night arrived, more than sixty men and women joined him on his task of alarm--an operation Revere himself helped to organize and set in motion. Fischer recreates Revere's capture that night, showing how it had an important impact on the events that followed. He had an uncanny gift for being at the center of events, and the author follows him to Lexington Green--setting the stage for a fresh interpretation of the battle that began the war. Drawing on intensive new research, Fischer reveals a clash very different from both patriotic and iconoclastic myths. The local militia were elaborately organized and intelligently led, in a manner that had deep roots in New England. On the morning of April 19, they fought in fixed positions and close formation, twice breaking the British regulars. In the afternoon, the American officers switched tactics, forging a ring of fire around the retreating enemy which they maintained for several hours--an extraordinary feat of combat leadership. In the days that followed, Paul Revere led a new battle-- for public opinion--which proved even more decisive than the fighting itself.

When the alarm-riders of April 18 took to the streets, they did not cry, "the British are coming," for most of them still believed they were British. Within a day, many began to think differently. For George Washington, Thomas Jefferson, John Adams, and Thomas Paine, the news of Lexington was their revolutionary Rubicon. Paul Revere's Ride returns Paul Revere to center stage in these critical events, capturing both the drama and the underlying developments in a triumphant return to narrative history at its finest.

This book is all about having a great time painting! The first book in a wonderful new series, Painting Basics makes painting landscapes easy! Readers will experience the joy of painting for pure pleasure as Jerry Yarnell guides them through each step of the 10 detailed step-by-step projects. No previous experience is necessary. All the artist has to do is follow along with Jerry to create a beautiful landscape in acrylics in 15 steps. The first book begins with a short introduction then guides the reader in the selection of the right paints, tools, and surfaces, along with just enough background information to make following Jerry's step-by-step instructions even easier and more fun.

Comprehensive, popular guide by renowned artist and teacher presents a full course of watercolor painting, from basics to creating landscapes; painting portraits and figures; drawing; following design principles; and matting, framing, and selling completed works. Two 16-page full-color sections show the steps involved in creating seven of the author's own watercolors. 37 color illustrations. Over 100 illustrations.

Collected from notes taken by students at famous Cape Cod School; hundreds of direct, personal aperçus, ideas, suggestions.

Joan Mitchell (1926-1992) was one of the few women among the first-rank Abstract Expressionist painters. She outpaced all but a handful of her male mentors and counterparts, while only Lee Krasner stands as a possible rival among her female counterparts. Although well regarded by critics, fellow artists, and the general public, Mitchell's achievement has never received full recognition; her work has not been shown in New York for more than twenty-five years. This exquisitely illustrated volume and the exhibition that it accompanies restore the artist to her rightful place in the history of American painting. Spanning Mitchell's entire career, from early works of 1951 until the year of her death, The Paintings of Joan Mitchell includes a wealth of breathtaking paintings, both intimate and grand in scale, that reveal Mitchell's fierce dedication to her art and reflect both the struggles and the artistic triumphs she achieved with her distinctive vision of Abstract Expressionism.
Jane Livingston draws on the artist's personal papers, including her journals and extensive correspondence, to provide an illuminating interpretation of the artist and her work. Linda Nochlin, who was a friend of Mitchell, discusses the artist's experience working in a field dominated by men. A third text by Whitney Curator Yvette Lee explores a distinctive and little-known suite of paintings entitled La Grande Vallée, created in 1983-84. Mounted with the full cooperation of the estate of Joan Mitchell, the exhibition contains many paintings rarely seen before--and in some cases never publicly exhibited. This book includes an exhibition history; an extensive artist bibliography of related monographs, reviews, and filmed interviews; and color plates and listing of all the works appearing in the exhibition.