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This digital document is a journal article from Bioresource Technology, published by Elsevier in 2006. The article is delivered in HTML format and is available in your .com Media Library immediately after purchase. You can view it with any web browser.Description: Biofiltration is an emerging technology in the United States that utilizes microorganisms to biodegrade harmful contaminants in air to carbon dioxide and water. Biofiltration is not only more cost effective, but also more environmentally friendly than traditional technologies such as thermal oxidation and chemical scrubbing. The primary objectives of the study were to operate a lava rock-based laboratory biofiltration system for the removal of alpha-pinene. A consortium of microorganisms to be used as an inoculum was recovered that was able to use alpha-pinene as a sole source of carbon and energy. The removal of alpha-pinene from the laboratory system was monitored with a total hydrocarbon analyzer (THA). Based on THA analysis, elimination capacities as high as 100+g/m^3/h were obtained in the laboratory biofilters. Removal efficiencies averaged 99% over a two year period. The solid support maintained a neutral pH with no buffer addition throughout the two year study and microbial levels were maintained between 10^6 and 10^7 colony forming units (CFU)/g of solid support. Bacillus and Rhodococcus species were found to be the majority of the microorganisms in the biofilters over a two year period. This is the first time an organism from either of these genera has been reported to utilize alpha-pinene as a sole source of carbon and energy. Overall, a preselected consortium of microorganisms coupled with lava rock as a biofilter solid support achieved extended alpha-pinene treatment levels that far exceed previously published values.

This digital document is a journal article from Computers and Composition, published by Elsevier in 2006. The article is delivered in HTML format and is available in your .com Media Library immediately after purchase. You can view it with any web browser.Description: This essay argues that musicians have been at the forefront of the multimedia revolution. Rather than limit multimedia's creative locus to individuals working with a small range of tools/instruments, we address the increasing dispersion of productive processes across communities, technologies, and spaces. New media culture has reached a point where one can compose on a laptop, sample, loop, and create mashups and heretofore-unknown musics. These developments indicate that contemporary re/mix/digital music culture offers vocabularies, models, and practices for new media writing and culture generations beyond the tradition of text-based composition or the singular work of art. The article traces a genealogy from Wagner's notion of the ''total art work'' up to contemporary digital/remix to show how new media extend techniques that have long been developing. Just as the dispersion of production across communities and technologies transforms musical aesthetics, so also the aesthetic experience itself changes. New media culture is less resonant with interpretation than with engagement, and to explain this experiential difference the article develops the concepts of ''worlding'' and ''prosumer.'' Additionally, this article considers musical and multimedia attempts to incorporate new input streams, including those too often categorized (and excluded) as noise. Such input streams, in combination with other feedback-driven and distributed forms of production, can be theorized as part of an expansive, immersive, and experiential approach to new media we articulate as worlding.

This digital document is a journal article from Cognition, published by Elsevier in 2006. The article is delivered in HTML format and is available in your .com Media Library immediately after purchase. You can view it with any web browser.Description: In this paper, we argue that music cognition involves the use of acoustic and auditory codes to evoke a variety of conscious experiences. The variety of domains that are encompassed by music is so diverse that it is unclear whether a single domain of structure or experience is defining. Music is best understood as a form of communication in which formal codes (acoustic patterns and their auditory representations) are employed to elicit a variety of conscious experiences. After proposing our theoretical perspective we offer three prominent examples of conscious experiences elicited by the code of music: the recognition of structure itself, affect, and the experience of motion.

THE OFFICIAL FAN'S GUIDE TO THE FUGITIVE Here we go again! After three decades, Dr. Richard Kimble is still on the run! THE OFFICIAL FAN'S GUIDE TO THE FUGITIVE allows the reader to relive the magic that made The Fugitive one of the most popular television series in history. Each week millions of viewers tuned into to watch Dr. Richard Kimble attempt to locate the murderous one-armed man while still dodging the relentless pursuit of Lieutenant Gerard. Mel Proctor's detailed account of the history of The Fugitive, takes the reader on a nostalgic trip. The book includes: Roy Huggins' original treatment for the show, script development of all 120 episodes, behind the scenes tales about the show and its cast, and many anecdotes, interviews and gossip. It is the only book to carry a full endorsement by Worldvision, the owners of the TV show, by providing great vintage photos of David Janssen, Barry Morse and familiar faces of guest stars. "Few episodes in popular culture are as fascinating as the hold The Fugitive had on the American public. Mel Proctor's look back illuminates those days, and today." -George F. Will, political columnist and television commentator "Proctor writes with clarity and shows the importance of this program as more than just a weekly action tale. For Fugitive buffs & more...Enjoy, Enjoy!" -Larry King, television and radio celebrity "This rich and informative history of The Fugitive will be a matchless treasure to Fugitive fans and an enormous pleasure to people who just like to read a remarkably entertaining book." -Roy Huggins, creator of The Fugitive "The book's a cornucopia of first-time facts, gossip and colorful, behind-the-scenes details about The Fugitive and its remarkable place in television history. I loved it!" -Alan A. Armer, producer of The Fugitive "...If Lieutenant Gerard was half as thorough as Mr. Proctor, Richard Kimble would have been back behind bars years ago." -Ken Levine, television writer of M*A*S*H* and Frasier

When not writing, journalist Josiah Howard (Donna Summer: Her Life & Music, Blaxploitation Cinema: the Essential Reference Guide) was also a waiter at one of New York City's most popular restaurant/bars. For sixteen years Mr. Howard worked at Restaurant Florent, a Meat Packing District institution that was a favorite hangout of actors, actresses, models, directors, singers and other celebrities of dubious distinction (the establishment also served food to mere mortals!) From Madonna and Mariah Carey to Tom Cruise and Keanu Reeves, from Calvin Klein and Barry Diller to the Olsen Twins and Jerry Seinfeld, Famous People Eat Too! A New York City Food Server's Encounters with the Rich, Famous, Semi-Famous and Infamous offers a rare, behind-the-scenes look at some of the entertainment industry's biggest stars. You can't tell a book by its cover-and you can't tell a celebrity by their cover either. Josiah Howard uncovers them all! Was Diana Ross really the boss Was Warren Beatty really "on top" of things And, just who is that woman that looks like Bette Midler's mother To find out: Put on your white shirt and waiters apron, get a pad and pencil, and make your way over to that table-NOW!

Von Gadow and Pukkalas unique Designing Green Landscapes presents the latest thinking in adaptive management for forest ecosystems. Based on the multiple path principle, this approach links species choice and silvicultural methods with changing demands and changing environmental conditions, to ensure continuous adaptation, often several times within the lifetime of a tree. The multiple path principle at the core of this approach represents a robust theoretical framework for designing forested landscapes. It provides a logical basis both for coordinating spatial objectives and for integrating varied forms of expertise; it limits planning horizons to realistic timeframes; and it allows for forecasts based on current real attributes of spatially explicit land parcels. This is in stark contrast with traditional forestry practices which simply assess the forest resource at regular time intervals and prescribe standard management schedules for specific forest types. Presentingnew approaches to land management, this book represents auseful reference text for researchers and graduate students in forest management, ecology, modelling and landscape planning. It will also provide a valuable resource for professionals working for Land Management Agencies or as environmental consultants.

Nonlinear dynamics has become an important field of research in recent years in many areas of the natural sciences. In particular, it has potential applications in biology and medicine; nonlinear data analysis has helped to detect the progress of cardiac disease, physiological dis

Edition: Wall, Calendar, Time Factory

Computational paleontology is simply a term applied to using computers and its facilities in the field of paleontology. However, we should be exactly precise in describing the term through explaining the main themes of this motivating and attractive scientific field. The uppermost aim ofthis book is to explain how computation could be competent in fetching fossils to life and the past to present. Computers for paleontologists save time and costs, interpret mysterious events precisely and accurately, visualize the ancient life definitely and undeniably.

This digital document is a journal article from Journal of Archaeological Science, published by Elsevier in 2007. The article is delivered in HTML format and is available in your .com Media Library immediately after purchase. You can view it with any web browser.Description: Archaeomagnetic dating of samples from a brick kiln discovered at Dogmersfield Park has been achieved using both field direction and intensity. Detailed rock-magnetic properties and microwave archaeointensities have already been studied and published elsewhere [Ll. Casas, J. Shaw, M. Gich, J.A. Share, High-quality microwave archaeointensity determinations from an early 18th century brick kiln, Geophys. J. Int. 161 (2005) 653-661]. The archaeomagnetic measurements were assigned time-probability distributions by comparing with predictions from a global model at the sampling site, this procedure suppresses errors arising from relocation to a common central reference location. All three probability distributions consistently indicate the same age (~AD 1700). Once the probability distributions are combined a narrower probability distribution is obtained, stressing the importance of pursuing combined (directional and intensity) archaeomagnetic analyses. The inferred age is also highly consistent with available historical evidence.