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Donny Osmond stars as Joseph in Tim Rice and Andrew Lloyd Webber's Biblical Broadway extravaganza shimmering with elaborately-staged production numbers and a score full of hits.

Major video release of the most famous stage musical of all time based on fourteen poems from "Old Possum's Book of Practical Cats" by T.S. Eliot. Shot on Super-16 film over the course of a month at London's famed Adelphi Theater the show was completely re-lit from scratch and was recorded in full stereo surround sound.

A baker and his wife journey into the woods in search of a cow, a red cape, a pair of golden slippers and some magic beans to lift a curse that has kept them childless. Tony Award winners Bernadette Peters, Joanna Gleason and the rest of the original Broadway cast weave their magic spell over you in Stephen Sondheim's masterpiece, directed by James Lapine, a seamless fusion of fairy tale characters and what happens after "happily ever after. "With oft-recorded songs such as "Children Will Listen" and "No One is Alone," "Into the Woods" is a music lover's delight from start to finish--and will forever cement Stephen Sondheim's unparalleled position as the giant of the American musical theater.

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When Mary Rodgers, daughter of the composer Richard Rodgers, was reported as saying she never wanted to see another Oklahoma!, it was her way of paying the highest tribute to Trevor Nunn's production at the Royal National Theatre which was subsequently taken into the studio and filmed. The camera follows the playgoers into the auditorium of the Olivier where in their company we watch the show and applaud the numbers as the real thing. Nunn treats Rodgers and Hammerstein's first collaboration with the utmost seriousness, restoring the full text so that it comes across as a drama indebted to Eugene O'Neill. Although Oklahoma! unfolds at a leisurely pace, it is extraordinary how one is drawn into the drama under Nunn's direction. There's seldom a wish for true locations as the pace picks up and we move into the claustrophobic company of Judd Fry in his riveting encounter with the cowboy Curly. The close-up camera work affords an experience the theatre can't bring and also pays handsome dividends in appreciating Susan Stroman's intricate and lively choreography. Her dancers are a fine team, notably Jimmy Johnston who is outstanding as Will Parker leading the Kansas City ensemble. Hugh Jackman (X-Men) as Curly matches him in vocal prowess and looks, and Shuler Hensley sings the tricky role of Judd Fry very well. It's harder to place Peter Polycarpou's Pedlar, a considerably larger role than in the film version, whose accent strays from London's East End to the plains of Europe. Maureen Lipman, rightly deemed the lynchpin of the musical by Nunn, is a joy to watch as Aunt Eller. Laurey (Josefina Gabrielle) and Ado Annie (Vicki Simon) are good but not special. Aside from an abrupt start to Act Two and the occasional voice off microphone, the production sounds good with a larger orchestra present than in the theatre. An Oklahoma! on an epic scale. --Adrian Edwards

After what producer David Susskind called "the longest wooing for a part in a lifetime of dealing with stars," four-time Oscar winner Katharine Hepburn (On Golden Pond) made her television dramatic debut as the indomitable, overbearing matriarch, Amanda Wingfield, in Tennessee Williams' poignant 1945 memory play, which reteamed her with director Anthony Harvey (The Lion in Winter). "The Glass Menagerie" portrays a mother whose preoccupation with her past as a Southern belle and her unrealistic dreams for her children's futures threaten to smother her painfully shy daughter (Joanna Miles) and her aspiring writer son ("The Killing Fields'" Sam Waterston). Michael Moriarty plays the gentleman caller whose visit offers false hope and disrupts the family's precarious balance. 1973-74 Emmy Awards - Best Supporting Actor, Michael Moriarty; Best Supporting Actress, Joanna Miles.

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