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Eugene O'Neill's Beyond the Horizon (Broadway Theatre Archive)

*Est. $99.99 Compare

Eugene O'Neill's Pulitzer Prize-winning tragedy unsparingly presents the story of two brothers in love with the same girl. The tale unfolds with the girl's rejection of one brother and marriage to the other, setting the stage for discontent and disillusionment. Originally produced on Broadway in 1920, O'Neill's first full-length play captures the powerful, perilous emotional currents swirling below the surface of everyday life.

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Anton Chekhov's The Seagull (Broadway Theatre Archive)

*Est. $21.73 Compare

This quintessential Chekhov drama--his first success--is both comic and tragic. A group of friends and relations gather at a country estate to see the first performance of an experimental play written and staged by the young man of the house, Konstantin (Frank Langella), an aspiring writer who dreams of bringing new forms to the theatre. Among the audience are Konstantin's self-centered mother, the actress Arkadina, and her lover, the novelist Trigorin. Their glamorous presence not only disrupts the performance, but also soon takes on a more profound significance for the lives of all those present.

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Eugene O'Neill's A Moon for the Misbegotten (Broadway Theatre Archive)

*Est. $22.49 Compare

Theatrical sparks flew when veteran Eugene O'Neill interpreters Jason Robards and Colleen Dewhurst joined forces in the celebrated 1973 revival of O'Neill's tender semi-autobiographical drama. In a towering performance, the great Robards portrays a cynical, self-hating alcoholic actor based on O'Neill's elder brother, Jamie. The majestic Colleen Dewhurst plays the earthy, gruff daughter of his scheming Irish tenant farmer (Ed Flanders), with whom the failed actor spends a soul-baring night of guilt-ridden confessions, tenderness, and absolution. Both Dewhurst and Flanders won Tony Awards for their performances.

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The Human Voice (Broadway Theatre Archive)

*Est. $15.59 Compare

Ingrid Bergman plays a middle-aged woman going through a psychological crisis as a love affair ends. French playwright Jean Cocteau's one-character drama unfolds in the form of an extended monologue--a one-sided telephone conversation in which the woman tries to win back her lover despite her growing suspicion that he is calling from his young fianc??e's home. "A tour de force... Ingrid Bergman gave a formidable display of passionate despair, showing a side in her talent not often vouchsafed by the movies." --Variety

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The Journey of the Fifth Horse (Broadway Theatre Archive)

*Est. $22.49 Compare

The trailblazing genius that is Dustin Hoffman is hugely apparent in this, his first starring role on television. Originally produced Off-Broadway, Dustin Hoffman recreates his Obie Award-winning portrayal of Zoditch, a lonely, minor functionary in a publishing house. "Towering performances by Dustin Hoffman and Michael Tolan." --The New York Times. With Charlotte Rae, Michael Nolan, Susan Anspach, and William H. Bassett.

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June Moon (Broadway Theatre Archive)

*Est. $14.96 Compare

In homage to the heyday of American comedy, George S. Kaufman and Ring Lardner's satire takes on 1929's Tin Pan Alley. Its main characters are a gullible lyricist and a composer who claims as his big hit a ditty called "Paprika... the Spice of My Life." Look for composer Stephen Sondheim as a wisecracking pianist in his acting debut! With Susan Sarandon, Estelle Parsons, Jack Cassidy, Lee Meredith, and Burt Shevelove.

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Tennessee Williams' Dragon Country (Broadway Theatre Archive)

*Est. $14.96 Compare

This production pairs together two Tennessee Williams plays, written twenty years apart, each examining the theme of isolation with searing clarity. The joint presentation features the world premiere of "I Can't Imagine Tomorrow," starring two-time Oscar nominee Kim Stanley (The Right Stuff) and William Redfield (One Flew Over the Cuckoo's Nest), and a much earlier work, "Talk to Me Like the Rain and Let Me Listen," starring Lois Smith (Five Easy Pieces)and Alan Mixon. Together, the dramas delve into "A land of endured but unendurable pain," said Williams, "where each one is so absorbed, deafened, blinded by his own journey across it, he sees, he looks for, no one else crawling across it with him."

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