Movie » General Animation Videos

Watching Animusic is like being mesmerized by the world's most elaborate Rube Goldberg devices: You're so astonished by their ingenuity that you can't look away. This "computer animation video album" is the brainchild of Wayne Lytle, a progressive-rock keyboardist and 1988 graduate of Cornell University's Program of Computer Graphics. Modifying techniques originally applied to the visualization of scientific data, Lytle partnered with graphic artist and 3D modeler Dave Crognale to create elaborate virtual stage sets and imaginary musical instruments that are driven via MIDI interface to virtually "play" the music that Lytle has composed for them. "The music drives the instruments," explains Lytle in his engaging DVD commentary, "and not the other way around." Using proprietary software called MIDImotion?, Lytle and Crognale have invented self-playing musical instruments that exist in a magical realm of musical and mathematical precision, perfectly synchronized to the kind of fully-synthesized prog-rock that Lytle obviously enjoys (and if you're a fan of Keith Emerson and Rick Wakeman, you will, too). It's the kind of audiovisual bombast that appeals to some more than others (and there's something oddly impersonal about removing humans from the performance of music), but Animusic is so intricately clever that anyone can be captivated by the meticulous novelty of these beautifully engineered musical marvels. Take, for example, the most popular track, "Pipe Dream," in which thousands of animated balls take on a life of their own, popping out of an intricate system of pipes and barrels and bouncing, with percussive precision, onto all varieties of strings, drums, xylophones, timbales, cowbells... it's just hypnotically amazing. The same holds true for all of these videos, and while the colorful 3D rendering of Animusic (first released in 2001) is no longer state-of-the-art, the underlying mechanics remain timelessly appealing. For this special edition DVD released in 2004, Lytle opens his toy-box to reveal the creative process of Animusic from conceptual drawings to final 3D rendering. There's also a "solo-cam" function allowing viewers to switch angular focus from one instrument to another, along with animated set-construction demonstrations to show how everything fits together in the realm of Animusic. The 5.1-channel surround mix makes Animusic a perfect demonstration disc for high-end video systems (this is nothing if not a geek's delight), and Lytle's first animation (from 1996) is included along with a sneak-peek at Animusic 2, the follow-up DVD released in 2005. --Jeff Shannon

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Growing up can be a confusing journey fraught with difficult choices. Boog (Martin Lawrence) is a domesticated Grizzly Bear who leads a perfectly happy life inside of Park Ranger Beth's (Debra Messing) garage, but a chance meeting with an overly energetic mule deer named Elliot (Ashton Kutcher) quickly changes everything and lands Boog high in the forest a few days before the opening of hunting season. Devoid of even the most basic survival skills, Boog and Elliot stumble through the woods and find themselves at the mercy of every forest animal from skunks to chipmunks as well as an evil hunter named Shaw (Gary Sinise). After unintentionally inciting and endangering an entire forest full of clever animals, Boog and Elliot come to the realization that only by banding together do the forest animals stand a chance of outsmarting the hunters and ensuring their own survival.

From Academy Award nominated filmmaker John A. Davis (Jimmy Neutron: Boy Genius) and producers Tom Hanks and Gary Goetzman (The Polar Express), The Ant Bully tells a witty and heartwarming story about a 10-year-old boy who embarks on a remarkable journey. New in town, friendless and tormented by a neighborhood bully, young Lucas Nickle has been taking out his frustration on the innocent ant hill in his yard. But one day the ants retaliate. Using a magic potion, they shrink Lucas down to ant size and sentence him to live like an ant in their colony. In this strange new world Lucas will learn important lessons about friendship, get a whole new perspective on life and ultimately find the courage to stand up for himself. DVD Features:Featurette:It Takes a Colony: The Black Beetle explores the giant filmmaking process from a tiny perspective.Screen Saver:Ant Habitat TV Screensaver

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Produced by GAINAX (Neon Genesis Evangelion) and animated by Production I.G. (Ghost in the Shell), FLCL takes animation to yet another level. Get ready for this shocking, funny, and right out freaky show about adolescence, expectations and alien intrigue.Naota wants to be normal. But with a talented brother leaving Japan for the US to play baseball, everyone now looks at him a bit differently. His brothers girlfriend is acting strange and now theres an even stranger girl hitting on him.Literally. With a bass guitar. Oh, did I mention the robots that keep springing from his head?

The beloved Czech animator Jan Svankmajer receives a handsome retrospective in this two-disc set, compiling his short works from 1965 to 1992. The director of the feature-length films Alice and Little Otik, Svankmajer's shorts are sometimes unsettling yet delicately crafted worlds unto themselves, where inanimate objects like potatoes, piles of office supplies, or slices of meat move with life. There's a crudeness to the movement in these shorts that call attention to their creator's methods, and this crudeness is precisely what give the little stories their antic rhythms. Svankmajer is even interested in applying the herky-jerky pacing of stop-motion to flesh and blood actors; in one short, "Food," a man walks into a room and sits down at a table across from what appears to be another man. Instead, it's an animatronic food-delivery device that is activated by a series of kicks, slaps, and punches, delivering breakfast via a dumbwaiter installed in its chest. Svankmajer created many of these beautifully weird and witty pieces while struggling under the repressive political climate of Eastern Europe during the cold war. That he managed to develop an evolving body of work that inspired a generation of filmmakers like Tim Burton and Terry Gilliam is a testament to his doggedness and the passion of his vision. Extras include a thoughtful BBC documentary about the filmmaker. --Ryan Boudinot

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