Music » Acid Jazz Music

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Combining elements of 70's groove-jazz and horn-driven funk, Gnappy sounds like the bastard son of Maceo Parker and Average White Band, with a bit of Wired-era Jeff Beck thrown in for good measure. That's not to say that Gnappy is an exacting "throwback." To the contrary, the scrappy Austin, Texas quartet's reverence for vintage funk is balanced by an equal appreciation for modern jazz, hip-hop and electronica. Nevertheless, roots run deep and Gnappy's roots run decidedly to the groove. With their third album, "Unloaded," Gnappy advances its most creative musical statement to date - featuring soaring performances, turn-on-a-dime arrangements and guest appearances by fellow Austinites DJ Stillness and Ephraim Owens (Karl Denson's Tiny Universe, Blaze). "Smart, sharp and boogie - rock & roll reality braced with bop chops." - Austin Chronicle "Oh mama, they may hail from Austin, Texas, but this band is pure New Orleans jazz-funk." - Lafayette Daily Advertiser

Release Date: 2006-01-24, Audio CD, Alternative Tentacle

As impressive as Charlie Hunter's mastery of his eight-string guitar is, it may not be as strong a mark of distinction as his success in devising an original jazz-funk sound in a genre long ruled by guitarist John Scofield. Since arriving on the scene from San Francisco in the mid-'90s, Hunter has gotten stuck in a rut or two, but as efforts like Copperopolis demonstrate, he has the rare ability to renew his sound. Recorded in New Orleans, a setting reflected by an unlikely second line take on Thelonious Monk's "Think of One," the album may be his most appealingly varied. Hunter and his regular cohorts, tenor saxist John Ellis and drummer Derrek Phillips, thrive on the usual shimmering grooves and sonic embellishments, but with Ellis adding melodica and Wutrlitzer to his bop-fueled attack, they attain a lighter, more coloristic quality. And when Hunter forgoes the textural touches to lay into a blues riff, lean and mean, they rock harder than ever. It's thinking man's fusion music for listeners who want more instant gratification than they can get from the jam-band scene. --Lloyd Sachs

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Release Date: 1995-03-03, Audio CD, Beat Goes Public Bgp

Release Date: 2006-08-15, Audio CD, Mel Bay Records