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The Supertones Strike Back
Release Date: 1997-06-03, Audio CD, Bec Recordings / Emd
See more photos, specs, and reviewsMorning Glory Vol. 2 - Behind the Veil
No Description Available
No Track Information Available
Media Type: CD
Artist: BYNUM,JUANITA
Title: VOL. 2-BEHIND THE VEIL-MORNING GLORY
Street Release Date: 09/03/2002
Genre: GOSPEL
Breaths
Release Date: 1992-09-29, Audio CD, Flying Fish Records
See more photos, specs, and reviewsJames Cleveland and the Angelic Choir, Vol. 3: Peace Be Still
One of the classic--and bestselling--gospel recordings, this live release from 1962 has all the trademarks of the contemporary gospel sound (which the Reverend James Cleveland almost single-handedly forged in the 1950s as composer and arranger for the vibrant Caravans). Very progressive music for the time, the sound is big, the arrangements bluesy, and Cleveland's powerful vocals alternate between rough-hewn and soaringly handsome. The live recording captures many of the shouts and cries of a superenthusiastic church audience. The backing choir is energized and booming, the funky organ just makes you want to jump up out of your chair, and Cleveland's preaching is simple, smart, and to the point. The only drawback is the crudeness of the recording, but surely the low fidelity is overcome by the performance's sheer power. "[Jesus] can save you tonight until your hands look new," Cleveland preaches. "Glory to God!" --Mike McGonigal
See more photos, specs, and reviewsChase the Sun
You've got to be pretty good to open for the pope. So it's no surprise that the Supertones, fresh off their January 1999 opening gig for the Papal One in front of 68,000 people in St. Louis, have a release worthy of any audience. Chase the Sun, the band's third album, builds on the ska-driven mold the group has forged and offers up another dose of riddims, rap, and rollicking fun. Both the opening "One Voice" and "Fade Away" showcase power-chord rock rhythms broken only by the skintight staccato horn section. "Away from You," the first single, is indeed radio-friendly and will draw strong comparisons to classic Bob Marley. The 'tones can even slow down, as evidenced by "Old Friend" and the final, reflective "Refuge (In Conclusion)." --Michael Lyttle
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