Music » Cool Jazz Music

Boasting the first jazz instrumental to sell a million copies, the Paul Desmond-penned "Take Five," Time Out captures the celebrated jazz quartet at the height of both its popularity and its powers. Recorded in 1959, the album combines superb performances by pianist Brubeck, alto saxophonist Desmond, drummer Joe Morrello and bassist Gene Wright. Along with "Take Five," the album features another one of the group's signature compositions, "Blue Rondo a la Turk." Though influenced by the West Coast-cool school, Brubeck's greatest interest and contribution to jazz was the use of irregular meters in composition, which he did with great flair. Much of the band's appeal is due to Desmond, whose airy tone and fluid attack often carried the band's already strong performances to another level. Together, he and Brubeck proved one of the most potent pairings of the era. --Fred GoodmanLimited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover.

Although it is highly revered today, the music of the Miles Davis Nonet left the audiences of the late 1940s indifferent. The group was highly popular among other musicians, however, and served as an inspirational force to a multitude of other bands, as well as the different subsequent groups of the many musicians involved. Traces of the nonet?s music can be found in the early 1950s Miles Davis groups, the Gil Evans recordings (including the arranger?s wonderful collaborations with Miles), Mulligan?s pianoless quartet with Chet Baker, certain arrangements of the Stan Kenton orchestra and John Lewis? (another member of the nonet) posterior Modern Jazz Quartet.

180gm audiophile vinyl LP pressing of this complete original album from Stan Getz and the Oscar Peterson Trio, widely regarded as one of the saxophonist's finest recordings. Jazz Track.

Part of the 'Master Sound Jazz Series'. Japanese reissue of the classic Columbia album originally released in 1955. DSD mastering. Packaged in a limited edition miniature LP sleeve. 10 tracks. 2000 release.

Full title The Best of Miles Davis and John Coltrane 1955-1961. Japanese edition of 2001 compilation includes one exclusive bonus track 'Stella By Stars'.

While greatest-hits CDs abound, Dave Brubeck has been one of the few modern-jazz musicians to have actually enjoyed an occasional hit record. This CD compiles material from Brubeck's Columbia recordings of the 1950s and 1960s, revealing his deft combination of modernist harmony and unusual time signatures with the immediately accessible. Whether it's his own fine song "In Your Own Sweet Way" or Stephen Foster's "Camptown Races," his homage to Duke Ellington or the Mozart-inspired "Blue Rondo," Brubeck balances his taste for innovation with traditional melodic values. The quartet with altoist Paul Desmond was Brubeck's finest instrument. Desmond's gauzy sound and fluent improvisations provided effective contrast to Brubeck's own assertive, slightly stiff piano playing, and drummer Joe Morello smoothed out the most challenging rhythms. Desmond's "Take Five" has become a jazz standard, and this once-controversial music now conveys a special period charm. --Stuart Broomer

Birth of the Cool is the first important leader date from Miles Davis, one of jazz's most seminal figures and farsighted practitioners. Having made his reputation in large measure from playing with bop giant Charlie Parker, Davis confounded expectations when he embraced the "cool" arranging style of Gil Evans, an arranger for Claude Thornhill's band. Evans, who was employing unique voicings by adding French horns and tuba to Thornhill's instrumentations, also emphasized a diminished use of vibrato in both reeds and brass, producing a drier, "cool" sound. Two of Evans's arrangements, "Boplicity" and "Moon Dreams," appear on the album. Also involved are baritone saxophonist Gerry Mulligan, who contributed such outstanding tunes as "Jeru" and "Venus de Milo," and Modern Jazz Quartet pianist John Lewis. The result is a date that has withstood the tests of time, fashion, and Davis's own extraordinary growth as a performer. An enhanced set, The Complete Birth of the Cool expands the original issue with previously bootlegged live recordings of Davis's nonet at the Royal Roost in New York in 1948. Although the sound quality is far from perfect, the performances are remarkable, and worth the additional expense for the serious fan. --Fred Goodman

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Genre: Jazz Music
Media Format: Compact Disk
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Release Date: 10-AUG-1990

Release Date: 1997-06-24, Audio CD, Polygram Records

Release Date: 2001-04-10, Audio CD, Sony