Music » Gangsta & Hardcore Music

UK version of the controversial rapper's sophomore album, one of the fastest-selling rap albums of all time. Includes one bonus track, 'The Kids'. 2000 release. Standard jewel case.

Any lingering doubts as to the depth of Eminem's skills or his potential for raw yet compelling honesty are dispelled on The Eminem Show's first track. Armed with a quicksilver flow and a thundering rhythm track (the record was exec produced by longtime mentor and partner Dr. Dre), "White America" finds Eminem ferociously mauling the hand that feeds him, lambasting his critics, the industry, and the racism that, in many ways, helped make Marshall Mathers more than just another rapper. "Let's do the math," Em sneers, "If I was black I would have sold half/ I could be one of your kids/ Little Eric looks just like this." After the bombast of The Marshall Mathers LP and Eminem's well-noted use of sexual epithets, this kind of material is made more controversial because it actually rings true. From a brutal retort to his long-estranged and equally troubled mother ("Cleaning Out My Closets") to a surprisingly tender ode to his child ("Hailie's Song"), Eminem examines his life, loves, arrests, addictions, failures, and successes with surprising insight, making this a funk-drenched hip-hop confessional well worth the hype. --Amy Linden

The King of Brooklyn, Biggie Smalls, busted through with an instant hip-hop classic on his first album, Ready to Die, but he outdid even his standard on Life After Death, an audible, posthumous autobiography about the life of the former dope dealer. The 2 CD set revels in death, especially on "Niggaz Bleed," "Somebody's Gotta Die," and "You're Nobody ('Til Somebody Kills You)," but it's painfully clear that this chestnut-cheeked, fun-loving father of two wanted to see his kids grow up on "Sky Is the Limit" and "Miss U," both of which point to the future. The album also serves as a testament to Biggie's flexibility: he adopts Bone Thugs-N-Harmony's rapid rhyme flow and Midwestern beats when they guest on "Notorious Thugs," he positively bounces on both "Mo Money Mo Problems" and "Going Back to Cali" (guesting Eazy Mo Bee), and even kicks it Wu-Tang style when RZA shows up for "Long Kiss Goodnight." --Asondra R. Hunter

It's fitting that the Kid Rock revival got started when the Beastie Boys featured him in their Grand Royal magazine--and not because the kid from Detroit shares their skin tone. Rock has often been compared with the early Beasties--the boys of "Fight for Your Right to Party" and "Brass Monkey," the boys no one ever thought would grow up. With lines like "I ain't straight outta Compton, I'm straight out the trailer" and "I started an escort service--for all the right reasons," it's obvious that Kid Rock doesn't aim to follow suit. But that's no hindrance to Devil--backed by the funky metal band Twisted Brown Trucker and special guests like blues vets Robert Bradley and Thronetta Davis, Rock is hosting one hell of an interesting party. Ultimately, Rock's party is great, schlocky fun, equal parts old Beasties and Sebastian Bach--making Devil a guilty pleasure, the Starship Troopers of hip-hop. --Randy Silver

The Blueprint may be Jay Z's most captivating record since Reasonable Doubt, but its predictably detached mood reflects the master hustler's superior ability to trick out lackluster subject matter with lyrical complexity and brief flashes of manufactured introspection. The Blueprint, a solid mix of preprogrammed radio hits ("Izzo," "Girls, Girls, Girls") and better-than-average mid-tempo compositions ("Never Change," "Song Cry"), confirms the Brooklyn rapper's legendary status. Blistering flames of the Queensbridge/Jay Z feud fan high with "Takeover," a direct attack on Nas, set over the Doors' rock & roll burner, "5 to 1." "Renegade" provides the album's only full-on guest appearance. Jay and Eminem take this opportunity to address haters (within the industry and in the general population) who don't understand the mind of an artist. Jigga spells it out on the title track: "Reasonable Doubt--classic, shoulda went triple." The Blueprint might not be quite on par with Reasonable Doubt but it is reasonably good. --Rebecca Levine

Nasir Jones made this debut album at the age of 20, already armed with the calm perceptiveness and been-there-done-that attitude of a much older ghetto vet, though sometimes his inner callow youth shows itself. Illmatic is a look back at a life spent in the culture of the projects, acknowledging joy as much as pain and taking note of violence as a fact of his environment rather than a focus of his life. It's enlivened by Nas's kicky, deep-threaded multiple rhymes--you can tell he grew up listening to Mr. Magic's rap show and internalizing the secrets of everybody's flow--and by tracks from a bunch of all-stars, including the Large Professor, DJ Premier, and, most memorably, Q-Tip ("One Love"). --Douglas Wolk

Do you want in on hip-hop's dirty little secret? Well, not even rap's greatest icons have been able to pull of a memorable, fast-forward-free double disc--2Pac's All Eyez on Me and Wu-Tang Clan's Wu-Tang Forever included. On this follow-up to part one, Jay teams up with Destiny's Child's Beyonc? on "03 Bonnie & Clyde," a so-so remake of 2Pac's "Me and My Girlfriend." The Dr. Dre-produced remix to "The Watcher," featuring Rakim, reveals that, in addition to expanding his audience, Jay is interested in appealing to his tried-and-tested demographic--East Coast hardrocks. He rounds out the first disc with "I Did It My Way," sampling Paul Anka's version of "My Way" and equating his Rap Pack (Kareem Burke, Dame Dash) to the Rat Pack of Frank Sinatra, Sammy Davis Jr., and Dean Martin. Don't laugh. The stronger second disc contains some pleasant surprises. The Lenny Kravitz-fuelled braggadocio of "Guns and Roses" titillates, while Jay's Jeru the Damaja-like "Bitches and Sisters" is sure to stir up accusations of misogyny. In the end, not even Jay can tear through 11 hot tracks, much less 25. --Dalton Higgins

Aussie edition of the long awaited debut album from Eminem's original group, D12. This strictly limited edition includes a five track bonus disc featuring, 'These Drugs', 'Words Are Weapons', 'Shit On You' (Explicit), 'Shit On You' (Video-Explicit), 'Dirty TV International' (Video), enhanced D-12 picture gallery & weblink. 2001 release.Australian-only edition of 'Devil's Night', which debuted at #1 with a bullet last week on Billboard's Top 200 albums chart, with a bonus disc featuring three audio tracks and an enhanced portion that includes CD-ROM videos for the record's first single, "Shit On You" (Explicit) and "Dirty TV International", plus a photo gallery and a weblink. The main disc contains all 19 tracks from the U.S. release, including the hidden cut "Girls". Comes housed in a double slimline jewel case.

After he gained legendary status rapping on Doug E. Fresh's "La Di Da Di," it was only a matter of time before the world would clutch British-born Ricky Walters to its heart. Rick had already fancied himself a rabid storyteller (and a mighty good one) on Fresh's track "The Show," and Great Adventures became Slick Rick's novella. Not content with one perspective, Slick Rick often employed tag-team rhyming with himself as his own partner ("Mona Lisa," "Teacher Teacher"). His cautionary tales ("Hey Young World," "Children's Story," "Teenage Love") work much better than his freaky tales ("Treat Her Like a Prostitute," "Indian Girl"). Still, it doesn't take a musicologist to appreciate the complex rhyme schemes and scenarios of "The Moment I Feared," "Children's Story," and "Mona Lisa," and his slight accent heightened his distinctiveness. Despite lukewarm response to his follow-up--as well as a stint in the pokey--Slick Rick will always be remembered for his Great Adventures, an essential B-boy document. --Todd Inoue

Release Date: 1994-07-26, Audio CD, Def Jam